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[indie-folk] (2022) Caroline – caroline [FLAC] [DarkAngie]

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Torrent File Content (13 files)

Description

       (2022) Caroline – caroline          


Review:
The debut album by London eight-piece caroline has been a long time in the
making. The ensemble first started to play together in early 2017 then slowly began to expand in terms of personnel and
instrumentation before reaching their current incarnation. The first music to appear from these sessions arrived in 2020
with the release of the single Dark Blue and 2021 brought two more tracks, Skydiving Onto The Library Roof and IWR, both
of which also appear on their eponymous debut album. The slow drip of new music ahead of an album launch is fairly
standard practice these days and, while there can be drawbacks to doing this, it did somehow seem apt in the case of
caroline. This view rests on consideration of certain key aspects of their music, namely the patient, slow, methodical
way that many of the pieces unfurl, not to mention the sense of mystery and otherness that permeates their sound. By
releasing singles in a similarly spaced-out manner it encouraged these perceptions to grow and, now that the album has
arrived, receive validation in the free, exploratory feel that runs through the album. Dark Blue quickly confirms how
they exist at the intersection between post-rock, modern classical and outsider alt-folk but also shows how trying to
categorise them underplays the broader value of their music. It also provides the first glimpse of how Magdalena McLean
and Oliver Hamilton can supply violin embellishment that wails beautifully in a style not dissimilar to Nick Cave & The
Bad Seeds member and Dirty Three frontman Warren Ellis (high praise, indeed). The longer that is spent with the album,
the feeling grows that it is the inclusion of the vocals from Jasper Llewellyn and Mike O’Malley that set them apart
from other acts loosely associated with the aforementioned genres. Good Morning (Red) extends this view, helping to
establish a pastoral and idyllic feeling that periodically gives way to another central aspect to their sound, namely
unpredictability. The periodic interruptions of strongly delivered vocals from the background also reflect the
improvisatory spirit found in much of their music. Later, Skydiving Onto The Library Roof reinforces these free-flowing
credentials. They recently played a six hour set at London’s Queen Elizabeth Hall that featured collaborations with
members of Black Midi among others and, while they don’t really easily fit into any scene, moments like this, in
particular the part where it sounds like a chamber ensemble falling down a flight of stairs, do suggest certain shared
outlooks. Similar discordant deconstructions appear on Engine (Eavesdropping) while Zilch features some more tangled,
gnarled arrangements, but this time fleetingly so. Natural Death offers a suitably obtuse closing, at times like the
audio equivalent of chopping your way through dense undergrowth (but, of course, very much in a good sense). Yet for all
these noisier moments, tracks like Desperately and IWR sit at the other end of the spectrum, striking a more consonant,
conciliatory tone. It’s this ability to seamlessly blend opposing sounds and balance beauty with tension that makes
for such an intriguing album, and very much confirms the old adage that good things are worth waiting for.





Track List:
1.Dark blue 06:36
2.Good
morning (red) 05:47
3.desperately 01:13
4.IWR 06:29
5.messen #7 01:39
6.Engine (eavesdropping)
05:41
7.hurtle 00:50
8.Skydiving onto the library roof 07:41
9.zilch 02:08
10.Natural death 08:40



Media Report:
Genre: indie-folk
Country: UK
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2
channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits


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